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Bernhard P. Eder - Composer, Conductor, Arranger/Orchestrator

Bernhard P. Eder - Composer, Conductor, Arranger/Orchestrator

composer | conductor | arranger, orchestrator | university lecturer

film/media & concert music
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Bernhard P. Eder - Composer, Conductor, Arranger/Orchestrator

3 days ago

Bernhard P. Eder - Composer, Conductor, Arranger/Orchestrator
It was a pleasure and an honour to orchestrate and conduct the score by Christian Lundberg for "Why We Dream", which was recorded at the Vienna Synchron Stage in November 2024.Additional orchestrations by Raimund Hepp, Zuzana Michlerová, Dominik Svoboda, music prep by Daniel Castoral & Hannah Lena Rebel. A big thank you to Christian and his team, Bleeding Fingers Music (especially Russell Emanuel, Marsha Bowe) for having me on board for this project. ... See MoreSee Less
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Bernhard P. Eder - Composer, Conductor, Arranger/Orchestrator

3 weeks ago

Bernhard P. Eder - Composer, Conductor, Arranger/Orchestrator
Some wonderful impressions from the Soundsgate Composers Summit Prague Industry 2026 Closing Concert with Gustavo Santaolalla last week at the Karlin Musical Theater Prague, performed with the Český národní symfonický orchestr - CNSO and conducted by yours truly 🙂 Already a week, how time flies... ... See MoreSee Less

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Bernhard P. Eder - Composer, Conductor, Arranger/Orchestrator

4 weeks ago

Bernhard P. Eder - Composer, Conductor, Arranger/Orchestrator
After having just returned from an intense 1 1/2 weeks at the Soundsgate Composers Summit Prague 2026, I am eternally grateful to everyone from the Summit and the wonderful Český národní symfonický orchestr - CNSO for having me again this year. I'm looking to more music in the future with all of you.Please enjoy this excerpt from our last encore Gustavo Santaolallalalla at the Summit's closing concert at the Karlin Theater Prague. As you can see, we also got the audience actively involved 😉I'll be posting more photos/videos/impressions from the summit soon 🙂 ... See MoreSee Less

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Bernhard Eder

Bernhard Eder
"A Birthday Greeting" (Happy Birthday Orchestral Variation) (2016) arranged, orchestrated & conducted by Bernhard Philipp Eder (*1984) performed by the TONZAUBER STUDIO ORCHESTRA recorded on March 28th, 2016 at tonzauber Studio, Vienna music recorded, edited and mixed by Georg Burdicek (1982-2025) special thanks to Christian Mayr, Marina Vesic, Alexander Znamenskiy, Reinhard Peschorn, Georg Burdicek, Etienne Decreuse, Victor Gangl, Miguel Bezanilla, Christof Unterberger, the musicians and everyone involved in this wonderful project :-) Dedicated to Marina "Black Marine" Vesic - - - - - - - - - - - - - - - - - - - - - - INFO: This is a small orchestral "Happy Birthday" Variation we recorded at the end of a recording session roughly 10 years ago (for "tonzauber Signations", "tonzauber-Rhapsody" and "Spacehasen Suite") I wrote this arrangement in the night before the recording session in less than 2 hours. Fun Trivia: The orchestra for this recording consisted of members from the Vienna Philharmonic Orchestra, Vienna Symphonic Orchestra, ORF Radiosymphony Orchestra Vienna, Wiener Kammerorchester, Orchester der Vereinigten Bühnen Wien, Wiener Volksopern Orchester, and many more great ensembles. It was a big pleasure and a great honour to work with them all! - - - - - - - - - - - - - - - - - - - - - - - - - - - Enjoy this Happy Birthday Variation for Orchestra and let me know what you think! And feel free to share it with friends and colleagues you want to send a very special Happy Birthday Greeting ;-)
"A Birthday Greeting" short (Happy Birthday Orchestral Variation), arranged by Bernhard P. Eder
Enjoy this Happy Birthday Variation for Orchestra and let me know what you think! And feel free to share it with friends and colleagues you want to send a very special Happy Birthday Greeting ;-) --------------------- "A Birthday Greeting" (Happy Birthday Orchestral Variation) (2016) music arranged, orchestrated & conducted by Bernhard Philipp Eder (*1984) http://www.bpe-music.com Facebook: http://www.facebook.com/bpe.composer.conductor/ Instagram: https://www.instagram.com/bernhardeder.composerconductor/ BluSky: bpemusic.bsky.social performed by the TONZAUBER STUDIO ORCHESTRA recorded on March 28th, 2016 at tonzauber Studio, Vienna music recorded, edited and mixed by Georg Burdicek (1982-2025) http://www.tonzauber.com/ http://www.facebook.com/tonzauber/ Listen to "SPACEHASEN SUITE", also recorded on that day: https://youtube.com/playlist?list=OLAK5uy_ntUor1TrYWFMiK535AE-AuyiYw7dPoTmA&si=bQLG4HbHYDGknkTc "tonzauber-Rhapsody" for orchestra: https://youtu.be/di5bzUJQyoo?si=hjBP6C-RqRvcelpj https://www.youtube.com/watch?v=X6SDHjDqkMY Listen to more music recorded on that day at that session here: https://youtu.be/pHobmvYApmE?si=B94-wAaPkj3gG8o9 vimeo.com/223890182 conducting assistance: Alexander Znamenskiy music copyists: Stepan Sobanov, David Jauernik, Marina Vesic special thanks to Christian Mayr, Marina Vesic, Alexander Znamenskiy, Reinhard Peschorn, Georg Burdicek, Etienne Decreuse, Victor Gangl, Miguel Bezanilla, Christof Unterberger, the musicians and everyone involved in this wonderful project :-) Dedicated to Marina "Black Marine" Vesic. - - - - - - - - - - - - - - - - - - - - - - INFO: This is a small orchestral "Happy Birthday" Variation we recorded at the end of a recording session roughly 10 years ago (for "tonzauber Signations", "tonzauber-Rhapsody" and "Spacehasen Suite") Trivia: The orchestra for this recording consisted of members from the Vienna Philharmonic Orchestra, Vienna Symphonic Orchestra, ORF Radiosymphony Orchestra Vienna, Wiener Kammerorchester, Orchester der Vereinigten Bühnen Wien, Wiener Volksopern Orchester, and many more great ensembles. It was a big pleasure and a great honour to work with them all! I wrote this arrangement in the night before the recording session in less than 2 hours. The idea for me to write it came from the recording director & producer, Georg Burdicek. Georg sadly passed away unexpectedly last year on 28.August 2025, he is sorely missed. - - - - - - - - - - - - - - - - - - - - - - - - - - - TONZAUBER STUDIO ORCHESTRA Flutes: Matei Ioachimescu, Alexander Wagendristel Oboes: Lena Straka, Sebastian Skocic Clarinets: Stephan Rayer, Thomas Schön Bassoons: Bianca Schuster, Agnes Fejes Horns: Gergely Sugar, Robert Kis, Francisco Supin Trumpet: Marc Cardwell Hood Trombones: Thomas Märzendorfer, Michael Linus Bock Timpani: Phillip Flip Percussion: Dani Piedl Piano: Maria Radutu Harp: Volker Kempf Violin I: Holger Groh (concertmaster), Clemens Flieder, Ge Song, Aleksandra Buczek, Johannes Fleischmann Violin II: Patricia Koll, Alexandra Koll, Matthias Honeck, Gabor Selmeczi Viola: Julia Purgina, Charlotte Fonchin, Julia Kriechbaum Violoncello: Ivan Turkalj, Mara Kronick Achleitner, Cornelia Burghardt Contrabass: Joachim Tinnefeld ______________________________ bpe-music logo created by Liz Pompe [Softfact] YouTube Thumbnail by Niki Liskutin
"A Birthday Greeting" (Happy Birthday Orchestral Variation) [arranged by Bernhard P. Eder]
[Video 2 of 4] Johann Strauss Sohn - "Grüß Dich Gott, du liebes Nesterl", Aria of the Countess from the operette "Wiener Blut" Soprano - Katrin Delyse Targo [http://katrintargo.eu/?lang=eng] Recording Master - Roland Schützenhofer (assistance: Veronika Weidner) Videoproduction & Editing: Joel Turpin recorded on January 10th, 2015 in Vienna, Austria ------------------------------------------------------------------- performed by "The Triple-A-Consort (Advanced Austrian Artists)" conducted by Bernhard Philipp Eder [http://www.bpe-music.com] Flutes – Caroline Ratzinger, Florian Holzer Oboes – Ivan Hristov, Petko Tonev Clarinets – Emir Radišević, Christy Thalassinou Bassoons – Anna Beres, Szabolcs Szőke Horns – Karl Bichler, Ben Grobman Harp – Claudia Mantovani Violin I – Alexej Barer (Kzm.) Maria Mesropian, Milan Nikolic, Jenny Lippl, Dimitris Mousouras, Kirill Goncharov Violin II – Nataliya Stepanska, Anton Semke, Alexander Leontyev, Olga Orekhova Viola – Alexander Znamensky, Annamaria Kowalsky, Dima Nedyalkova, Giorgio Antonio Miele Violoncello – Michael Babytsch, Ana Spahn, Ievgen Piechnikov Contrabass – Dominik Wagner, Damian Posse --------------------------------------------------------------- This video is one complete take out of an aria recording project, sung by the excellent Katrin Delyse Targo, which was produced on January 8th and 10th, 2015 as part of a diploma thesis paper as well as for promotional purposes. For this project the singer and the conductor selected 4 arias from different eras (baroque, classical, romantic and operette) to record with orchestra on 2 days. The orchestra and recording venue was organised by me, as well as the preparation of the orchestral material. A big thanks again to all musicians who participated in this :-) The final audio product of course differs a lot from what can be heard in this video, as this was just one of several takes through the course of the recording session and not specially mixed for this video. Therefore possible hickups in regards of intonation or other things do not mean that the final audio product (with several other takes to choose from) will sound anything similar. ;-) This video is part of a series solely produced for a DVD which was included in my master thesis paper "Dirigieren in einer Aufnahme - Die unterschiedlichen Anforderungen" ("Conducting in a recording - The different requirements"). NOTE: Katrin Targo suffered from a heavy cold at the time of recording, and still her performance was marvelous :-)
J. Strauss: "Grüß Dich Gott, du liebes Nesterl" [cond. Bernhard Eder] Katrin Targo, Soprano
[Video 3 of 4] Wolfgang Amadeus Mozart - "Ach, ich fühl's", aria of Pamina from the Opera "Die Zauberflöte" (The Magic Flute) Soprano - Katrin Delyse Targo [http://katrintargo.eu/?lang=eng] Recording Master - Roland Schützenhofer (assistance: Veronika Weidner) Videoproduction & Editing: Joel Turpin recorded on January 10th, 2015 in Vienna, Austria ------------------------------------------------------------------- performed by "The Triple-A-Consort (Advanced Austrian Artists)" conducted by Bernhard Philipp Eder [http://www.bpe-music.com] Flute – Caroline Ratzinger Oboe – Ivan Hristov Bassoon – Anna Beres Violin I – Alexej Barer (Kzm.) Maria Mesropian, Milan Nikolic, Jenny Lippl, Dimitris Mousouras, Kirill Goncharov Violin II – Nataliya Stepanska, Anton Semke, Alexander Leontyev, Olga Orekhova Viola – Alexander Znamensky, Annamaria Kowalsky, Dima Nedyalkova, Giorgio Antonio Miele Violoncello – Michael Babytsch, Ana Spahn, Ievgen Piechnikov Contrabass – Damian Posse --------------------------------------------------------------- This video is one complete take out of an aria recording project, sung by the excellent Katrin Delyse Targo, which was produced on January 8th and 10th, 2015 as part of a diploma thesis paper as well as for promotional purposes. For this project the singer and the conductor selected 4 arias from different eras (baroque, classical, romantic and operette) to record with orchestra on 2 days. The orchestra and recording venue was organised by me, as well as the preparation of the orchestral material. A big thanks again to all musicians who participated in this :-) The final audio product of course differs a lot from what can be heard in this video, as this was just one of several takes through the course of the recording session and not specially mixed for this video. Therefore possible hickups in regards of intonation or other things do not mean that the final audio product (with several other takes to choose from) will sound anything similar. ;-) This video is part of a series solely produced for a DVD which was included in my master thesis paper "Dirigieren in einer Aufnahme - Die unterschiedlichen Anforderungen" ("Conducting in a recording - The different requirements"). NOTE: Katrin Targo suffered from a heavy cold at the time of recording, and still her performance was marvelous :-)
W. A. Mozart - "Ach, ich fühl's", Aria of Pamina [cond. Bernhard Eder] Katrin Targo, soprano
[Video 4 of 4] Georg Friedrich Händel - "Piangero", aria of Cleopatra from the opera "Giulio Cesare" Soprano - Katrin Delyse Targo [http://katrintargo.eu/?lang=eng] Recording Master - Roland Schützenhofer (assistance: Veronika Weidner) Videoproduction & Editing: Joel Turpin recorded on January 8th, 2015 in Vienna, Austria ------------------------------------------------------------------- performed by "The Triple-A-Consort (Advanced Austrian Artists)" conducted by Bernhard Philipp Eder [http://www.bpe-music.com] Cembalo – Paulina Zmuda Violin I – Maria Mesropian (Kzm.), Maria Pawlikowska , Olga Orekhova, Alexander Leontyev, Marko Radonic Violin II – Nataliya Stepanska, Alexander Leontyev, Dimitris Mousouras, Kirill Goncharov, Jenny Lippl Violoncello – Prof. Josef Luitz, Michael Babytsch, Ana Spahn Contrabass – Dominik Wagner --------------------------------------------------------------- This video is one complete take out of an aria recording project, sung by the excellent Katrin Delyse Targo, which was produced on January 8th and 10th, 2015 as part of a diploma thesis paper as well as for promotional purposes. For this project the singer and the conductor selected 4 arias from different eras (baroque, classical, romantic and operette) to record with orchestra on 2 days. The orchestra and recording venue was organised by me, as well as the preparation of the orchestral material. A big thanks again to all musicians who participated in this :-) The final audio product of course differs a lot from what can be heard in this video, as this was just one of several takes through the course of the recording session and not specially mixed for this video. Therefore possible hickups in regards of intonation or other things do not mean that the final audio product (with several other takes to choose from) will sound anything similar. ;-) This video is part of a series solely produced for a DVD which was included in my master thesis paper "Dirigieren in einer Aufnahme - Die unterschiedlichen Anforderungen" ("Conducting in a recording - The different requirements"). NOTE: Katrin Targo suffered from a heavy cold at the time of recording, and still her performance was marvelous :-)
G. F. Händel: "Piangero", Cleopatra aria "Giulio Cesare" [cond. Bernhard Eder] Katrin Targo, soprano
"Is schon still uman See" (Kärnterlied) / "It's already quiet around the lake" (Carinthian Folksong) Arrangement for mixed choir & string quartet by Bernhard Philipp Eder (* 1984) https://www.facebook.com/bpe.composer.conductor/ http://www.bpe-music.com In Memoriam of my mother, ISOLDE KATHARINA EDER (28.09.1949-05.03.2023) Original Folksong Melody: Günther Mittergradnegger (1923-1992) Original Folksong Lyrics: Gerhard Glawischnigg (1906-1995) --------------------------- CHOIR Katrin Targo – Sopran Solo Cornelia Sonnleithner – Mezzo Solo Clio Montrey – Alto Max von Lütgendorff – Tenor Solo Patrick Kühn, Wolfram Wagner, Samuel Ramos – Tenor Jury Everhartz, Bernhard Eder, Karl Johannes Vsedni, Akos Banlaky - Bass STRING QUARTET Robert Nzekwu - Violin I Katharina Legradic – Violin II Sergio Trujillo – Viola Magdalena Eichmeyer – Violoncello Live performance conducted by Benjamin Grobman https://benjamingrobman.com/de#home Recording & Mixing: Karl Johannes Vsedni Audio Editing & Postproduction: Etienne Decreuse Live recording on 23.03.2023 at Pfarre Grinzing, Vienna, Austria --------------------------- Today, 5th March 2024, marks the sad first anniversary of my mother's unexpected passing at the age of 73. In her honour and memory I arranged this traditional Carinthian Folksong (she was originally from Klagenfurt) for my mother's memorial service, both because she was an absolute passionate music lover herself (she played piano, sang in choirs, was engaged in countless music and arts supporting functions etc.), and also because of her connection and roots with her homestate. I myself am not a religious person at all, but I found it important to pay a proper tribute to her legacy. I want to thank every musician and friend for their wonderful musicianship and performances on that day we performed this (and a few other repertoire pieces). --------------------------- Text: IS SCHON STILL UMAN SEE Is schon still uman See, hear de Ruadar schlågn und an Vogl im Rohr drin bei da Finstar klågn. Wås da Vogl für a Not håt, brauch ihn neama frågn, muaß jå selba mei Seligkeit übas Wåssar trågn. Übars Wåssar muaß i ume hear de Fischlan springan, liegg a Ringle beim Bodn, kånns nit aufabringan. --------------------------- Lyrics: IT'S ALREADY QUIET AROUND THE LAKE It's already quiet around the lake, I hear the rudder beating and a bird wailing in the reed in the darkness. What kind of hardship does the bird have, I don't need to ask him, I myself have to carry my blissfulness across the water. Across the water I have to go, I hear the fish jumping, A small ring lies on the floor, I can't pick it up. --------------------------- #scorevideo #Kärntnerlied #arrangement #choir #stringquartet #folksongarrangement #scorefollower
"Is schon still uman See" for mixed choir & string quartet [arranged by Bernhard P. Eder]
Announcement Video: I hereby would like to invite everybody to the upcoming "SOUNDSGATE COMPOSER SUMMIT 2022" in Prague, organised by Soundsgate, which will be from 23rd-26th April 2022. I'll be holding a lecture there on Monday, 25th April, 11:30 am about "Notation & Music Preparation: The Practical Approach", where I'll talk about all the important things to keep in mind when writing and producing scores & parts for your performers, among many other things ;-) Last, but definetely not least, additionally I have the honour and privilege to guest conduct music, composed by Elia Cmiral, at the final concert on 26th April with the PKF Orchestra at the Prague Philharmonia. See you there! PS: I'll be in Prague for the entire summit, so I am looking forward to see as many of you as possible there! PPS: Don't worry, I do intend of posting more musical content in the future for sure ;-) Background Music: "The Galactic Patrol" from "Spacehasen Suite", composed/orchestrated/conducted by yours truly. https://youtu.be/JrfVt7Kn3wo
Soundsgate Composer Summit 2022 in Prague - Invitation
"Mouvement Cinematique" for sextett (2016) [Hommage a Ennio Morricone] composed by Bernhard Philipp Eder (*1984) https://www.facebook.com/bpe.composer.conductor/ http://www.bpe-music.com ######################### performed by Ensemble Reconsil (https://www.ensemblereconsil.com/) Alexander Wagendristel, Flute/Alto Flute Katharina Humpel, Oboe/Englischhorn Thomas Schön, Clarinet/Bassclarinet Bojidara Kouzmanova-Vladar, Violin Julia Purgina, Viola Maria Frodl, Violoncello conducted by Roland Freisitzer ######################### Live recording of world premiere performance on 10th September 2016 at Weingut Nittnaus, Gols (Austria) Part of the "Ciao Ennio! - Sechs musikalische Grüße an den Meister der Filmmusik, Ennio Morricone" concert initiated by Ambitus Extended - Gruppe für Neue Musik Audio Optimisation by Etienne Decreuse (Decton Recording) Thumbnail by Matthias Noe (https://www.facebook.com/matthiasnoebildwerke/) Special thanks to Fritz Oskar Keil (Ambitus Extended) and the wonderful musicians of Ensemble Reconsil! ######################### This piece was commissioned by the Ensemble Reconsil und Ambitus Extended-Gruppe für Neue Musik, and is a musical salute to one of the greatest composers for film, Maestro Ennio Morricone. The composition has three sections, while the 2 last sections are both an hommage and a meditation about and inspired by some of the more well known melodies written by Maestro Morricone. I am sure you will recognise them ;-)
Bernhard P. Eder - "Mouvement Cinematique" (2016) [Ensemble Reconsil]
"tonzauber-Rhapsody" (2016) for orchestra composed, orchestrated & conducted by Bernhard Philipp Eder (*1984) http://www.facebook.com/bpe.composer.conductor/ https://www.instagram.com/bernhardeder.composerconductor/ http://www.bpe-music.com performed by the TONZAUBER STUDIO ORCHESTRA recorded on March 28th, 2016 at tonzauber Studio, Vienna music recorded, edited and mixed by Georg Burdicek http://www.tonzauber.com/ http://www.facebook.com/tonzauber/ Assistant Engineer & Tapeop: Etienne Decreuse original video "The Studer Vista arrives at tonzauber", for which this music has been composed: https://www.youtube.com/watch?v=X6SDHjDqkMY Video directed by Norman Vaughan for Vaughan Film & Video KG Camera: Norman Vaughan, Jonathan Vaughan, Roman Hansi Listen to "SPACEHASEN SUITE", also recorded on that day: https://youtube.com/playlist?list=OLAK5uy_ntUor1TrYWFMiK535AE-AuyiYw7dPoTmA&si=bQLG4HbHYDGknkTc conducting assistance: Alexander Znamenskiy music copyists: Stepan Sobanov, David Jauernik, Marina Vesic special thanks to Christian Mayr, Marina Vesic, Alexander Znamenskiy, Reinhard Peschorn, Georg Burdicek, Etienne Decreuse, Victor Gangl, Miguel Bezanilla, Christof Unterberger, the musicians and everyone involved in this wonderful project :-) Dedicated to Georg Burdicek. Video thumbnail by Matthias Noe (http://www.noefilm.de) - - - - - - - - - - - - - - - - - - - - - - - - - - - INFO: I composed the "tonzauber-Rhapsody" for a promotional video of the tonzauber Studio Vienna, led by Georg Burdicek. We recorded this and several other pieces (for instancen also audio branding music for tonzauber), on that day, including the already mentioned "Spacehasen Suite", which is available on YouTube as well as Spotify, Amazon Music, iTunes and many more platforms, as well as a CD purchase. [https://spacehasen.com/music/spacehasen-suite/] Stay tuned for more future music updates ;-) The orchestra for this recording consisted of members from the Vienna Philharmonic Orchestra, Vienna Symphonic Orchestra, ORF Radiosymphony Orchestra Vienna, Wiener Kammerorchester, Orchester der Vereinigten Bühnen Wien, Wiener Volksopern Orchester, and many more great ensembles. It was a big pleasure and a great honour to work with them and I'm looking forward to doing another project with them hopefully soon :-) - - - - - - - - - - - - - - - - - - - - - - - - - - - TONZAUBER STUDIO ORCHESTRA Flutes: Matei Ioachimescu, Alexander Wagendristel Oboes: Lena Straka, Sebastian Skocic Clarinets: Stephan Rayer, Thomas Schön Bassoons: Bianca Schuster, Agnes Fejes Horns: Gergely Sugar, Robert Kis, Francisco Supin Trumpet: Marc Cardwell Hood Trombones: Thomas Märzendorfer, Michael Linus Bock Timpani: Phillip Flip Percussion: Dani Piedl Piano: Maria Radutu Harp: Volker Kempf Violin I: Holger Groh (concertmaster), Clemens Flieder, Ge Song, Aleksandra Buczek, Johannes Fleischmann Violin II: Patricia Koll, Alexandra Koll, Matthias Honeck, Gabor Selmeczi Viola: Julia Purgina, Charlotte Fonchin, Julia Kriechbaum Violoncello: Ivan Turkalj, Mara Kronick Achleitner, Cornelia Burghardt Contrabass: Joachim Tinnefeld ################### Included Video "The Studer Vista 9 Arrives @ tonzauber [Stereo]": https://youtu.be/X6SDHjDqkMY Recording Producer: Georg Burdicek Assistant Engineer & Tapeop: Etienne Decreuse Video directed by Norman Vaughan for Vaughan Film & Video KG http://www.vaughan.at Camera: Norman Vaughan, Jonathan Vaughan, Roman Hansi Light by Martin Knaupp http://www.mlight.at Production: tonzauber Media Group http://www.tonzauber.com ################### On 23.08.2025 I received the sad news that Georg Burdicek passed away all of a sudden at the age of 43. :-( Thank you for everything, Georg. We will all miss you dearly!
Bernhard P. Eder - ''tonzauber-Rhapsody'' for orchestra (2016)
[Video 1 of 4] Giuseppe Verdi - "Ave Maria", Aria of Desdemona from the opera "Otello" Soprano - Katrin Delyse Targo [http://katrintargo.eu/?lang=eng] Recording Master - Roland Schützenhofer (assistance: Veronika Weidner) Videoproduction & Editing: Joel Turpin recorded on January 8th, 2015 in Vienna, Austria ------------------------------------------------------------------- performed by "The Triple-A-Consort (Advanced Austrian Artists)" conducted by Bernhard Philipp Eder [http://www.bpe-music.com] Violin I – Marko Radonic (Kzm.), Maria Mesropian, Maria Pawlikowska, Milan Nikolic, Jenny Lippl, Dimitris Mousouras, Kirill Goncharov Violine II – Nataliya Stepanska, Anton Semke, Alexander Leontyev, Olga Orekhova Viola – Alexander Znamensky, Annamaria Kowalsky, Sybille Häusle, Jean Philippe Oliver Viol Violoncello – Prof. Josef Luitz, Michael Babytsch, Ana Spahn --------------------------------------------------------------- This video is one complete take out of an aria recording project, sung by the excellent Katrin Delyse Targo, which was produced on January 8th and 10th, 2015 as part of a diploma thesis paper as well as for promotional purposes. For this project the singer and the conductor selected 4 arias from different eras (baroque, classical, romantic and operette) to record with orchestra on 2 days. The orchestra and recording venue was organised by me, as well as the preparation of the orchestral material. A big thanks again to all musicians who participated in this :-) The final audio product of course differs a lot from what can be heard in this video, as this was just one of several takes through the course of the recording session and not specially mixed for this video. Therefore possible hickups in regards of intonation or other things do not mean that the final audio product (with several other takes to choose from) will sound anything similar. ;-) This video is part of a series solely produced for a DVD which was included in my master thesis paper "Dirigieren in einer Aufnahme - Die unterschiedlichen Anforderungen" ("Conducting in a recording - The different requirements"). NOTE: Katrin Targo suffered from a heavy cold at the time of recording, and still her performance was marvelous :-)
G. Verdi: "Ave Maria", Aria from "Otello" [cond. Bernhard Eder] Katrin Targo, soprano
A small tongue in cheek tribute to a certain national anthem ;-) Happy 4th of July to my US American Friends and Colleagues! "Nostromo" (2013), an Austrian independent zero-budget fantasy/dramedy film (premiered May 2014) - original motion picture score music composed, orchestrated & conducted by Bernhard Philipp Eder (*1984) http://www.bpe-music.com To listen to the entire score, click here: https://youtu.be/zK7Zp3L1o14 - - - - - - - Score performed by "The Triple-A-Consort (Advanced Austrian Artists)" conducting assistance/additional conducting: Matija Fortuna Scoring assistance, sample & electronic arrangements: Christoph Mörz de Paula Additional sampling assistance: Markus Zierhofer (markus-zierhofer.com/) recording date: May 11th, 2013 - Vienna/Austria score recording engineer: Georg Burdicek (www.tonzauber.com) score editing & mixing: Andreas Rathammer (www.quinton.at) recording assistance: Ines Vorreiter, Lukas Turnovsky - - - - - - - - - - - Instrumentalists Flutes: Steffi Mölle, Ka Hou Fan Clarinet: Oliver Darnhofer Bassoon: Nikolett Fretyan Trumpet: Christoph Nadler Horn: Lukas Erler Trombone: Marie Jacquot Violins: Milan Nikolic, Valin Qerimaj, Jenny Lippl, Iris Feuchter, Natalja Stepanskaja, Senka Novak, Christian Müller, Michaela Ringer, Dimitris Mousouras Violas: Giorgio Antonio Miele, Vincenzo Starace, Jelica Nenadovic Celli: Michaela Skrieckova, Agathe Nebl, Sebastian Ringer Doublebass: Ronald Vitzthum
Bernhard P. Eder - Happy 4th of July 😉 [Nostromo]
A short selection of recordings with Bernhard Philipp Eder (*1984) conducting. http://www.bpe-music.com Official Facebook Page: https://www.facebook.com/bpe.composer.conductor/ DISCLAIMER: This video and its content is for promotional purposes only and may not be used or publicised for any commercial purposes! All rights belong to their respective owners! [00:00] Video Start Music & performers: [00:04] Giuseppe Verdi - "Ave Maria", aria from "Otello" Katrin Targo, soprano performed by "The Triple-A-Consort" (Advanced Austrian Artists) [04:45] Theodor Berger - Impressionen op.8 (excerpt) V. Werkstattrhythmen (Factory Rhythms) performed by the ORF Radiosymphonie Orchester Wien [09:08] Bernhard Philipp Eder - "tonzauber-Rhapsody" (excerpt) performed by the tonzauber Studio Orchestra [11:17] Ludwig van Beethoven - Egmont Overture, op. 84 (excerpt) performed by the "Glaspäärlimäng Sinfonietta" Tallin (Estonia) [13:46] Johann Strauss Sohn - "Grüß Dich Gott, du liebes Nesterl", aria from "Wiener Blut" (excerpt) Katrin Targo, soprano performed by "The Triple-A-Consort" (Advanced Austrian Artists) - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Bernhard Philipp Eder: Conducting Showreel (2016)
"Explorations" for string quartet (2017) composed by Bernhard Philipp Eder (*1984) http://www.bpe-music.com https://www.facebook.com/bpe.composer.conductor/ https://www.instagram.com/bernhardeder.composerconductor/ http://soundcloud.com/bernhard-eder-1 http://www.imdb.com/name/nm7371352/?ref_=ttfc_fc_cr4 performed by the Koehne Quartett Joanna Lewis, Violin 1 Anne Harvey-Nagl, Violin 2 Lena Fankhauser, Viola Alison Frilingos, Violoncello https://www.koehnequartet.com/de/ live recording of world premiere performance at ALTE SCHMIEDE WIEN, on November 28th 2017 in Vienna, Austria. Recording Engineer: Etienne Decreuse [Decton Recording: http://www.tonmeister-wien.com/] Thumbnail by Matthias Noe - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Note by the composer: The idea for this composition engages around the ideas of certain symmetries, both in regards of the musical materials (e.g. their interval correlations) as well as in the form aspect. An implied A-B-C-B-A form is the basic idea upon this piece is build, even though it is not entirely realised that way. I consider this composition a fluid development of interconnected miniatures, which might transform into a greater compositional cycle in the future. Therefore this "exploration" is a musical adventure I am very much looking forward to delve further into. It is a great honour to have this piece premiered by the renowned Koehne Quartet and I am very grateful for this opportunity.
Bernhard P. Eder - "Explorations" for string quartet (2017) [Koehne Quartett]
new music "Fairy Fashion" composed, orchestrated & conducted by Bernhard Philipp Eder (*1984) http://www.bpe-music.com http://soundcloud.com/bernhard-eder-1 http://www.imdb.com/name/nm7371352/?ref_=ttfc_fc_cr4 official Facebook page: https://www.facebook.com/bpe.composer.conductor/ performed by the Hollywood Studio Symphony recorded on July 31st, 2017 at the Alfred Newman Recording Stage, Fox Studios, Los Angeles, USA to watch the the film scene with the new music, click here: https://youtu.be/SP1jwbRkjnc Please enjoy my alternative compositional take on the "Fairy Fashion" scene from the 2015 film Cinderella, which I rescored this summer at the ASCAP Filmscoring Workshop 2017 with Richard Bellis in Los Angeles, USA. [https://www.ascap.com/news-events/events/2017/film-scoring-workshop/la/participants] A big thank you to everyone involved and for their ongoing support! Live Recording Engineer: Armin Steiner Session Booth Directors: Richard Bellis, Dave Slonaker, Charles Bernstein, Michael Ryan Scored for a 64-Piece Orchestra: 2.2.2.2 - 4.3.3.1 - Timp/2 Perc - Pno+Celesta/Hp - 12.10.8.6.4 Additional Audio Mixing & Editing: Jonas Petersen (http://24violins.com/) Video Thumbnail & editing by: Matthias Noe (http://www.imdb.com/name/nm5964494/) -------------------------------------------------------------------------------------------------------- Cinderella (2015), film footage copyright by Disney Studios DISCLAIMER: This video and its newly composed music is for promotional purposes only and was produced during the course of the ASCAP Filmscoring Workshop 2017 and shall not be used for any other purposes! [https://www.ascap.com/press/2017/06-29-film-scoring-workshop-participants]
Bernhard P. Eder - Cinderella rescored (score only) [ASCAP Filmscoring Workshop 2017]
new music "Fairy Fashion" composed, orchestrated & conducted by Bernhard Philipp Eder (*1984) http://www.bpe-music.com http://soundcloud.com/bernhard-eder-1 http://www.imdb.com/name/nm7371352/?ref_=ttfc_fc_cr4 official Facebook page: https://www.facebook.com/bpe.composer.conductor/ performed by the Hollywood Studio Symphony recorded on July 31st, 2017 at the Alfred Newman Recording Stage, Fox Studios, Los Angeles, USA to watch the video with only the score, click here: https://youtu.be/5AoktyNSz_A Please enjoy my alternative compositional take on the "Fairy Fashion" scene from the 2015 film Cinderella, which I rescored this summer at the ASCAP Filmscoring Workshop 2017 with Richard Bellis in Los Angeles, USA. [https://www.ascap.com/news-events/events/2017/film-scoring-workshop/la/participants] A big thank you to everyone involved and for their ongoing support! Live Recording Engineer: Armin Steiner Session Booth Directors: Richard Bellis, Dave Slonaker, Charles Bernstein, Michael Ryan Scored for a 64-Piece Orchestra: 2.2.2.2 - 4.3.3.1 - Timp/2 Perc - Pno+Celesta/Hp - 12.10.8.6.4 Additional Audio Mixing & Editing: Jonas Petersen (http://24violins.com/) Video edited & Video Thumbnail by: Matthias Noe (http://www.imdb.com/name/nm5964494/) Special thanks to Frank Heckel & Miguel Bezanilla -------------------------------------------------------------------------------------------------------- Cinderella (2015), film footage copyright by Disney Studios DISCLAIMER: This video and its newly composed music is for promotional purposes only and was produced during the course of the ASCAP Filmscoring Workshop 2017 and shall not be used for any other purposes! [https://www.ascap.com/press/2017/06-29-film-scoring-workshop-participants]
Bernhard P. Eder - "Cinderella" rescored [ASCAP Filmscoring Workshop 2017]
performed by Bernhard Philipp Eder composer, conductor, arranger/orchestrator https://www.bpe-music.com official Facebook page: https://www.facebook.com/bpe.composer.conductor/ originally recorded for the Hello Stage anniversary :-)
"Happy Birthday", Celesta Variation (short) | [Bernhard P. Eder]
Streichquartett Nr.1 (original 2006, revidierte & komplettierte Fassung 2016) komponiert von Bernhard Philipp Eder (*1984) https://www.facebook.com/bpe.composer.conductor/ http://www.bpe-music.com Video Start 00:00 I. Adagio 00:09 II. Allegro furioso 10:05 III. Adagio 15:10 Liveaufnahme der Uraufführung im Rahmen des "22. Sarajevske Veceri Muzike" Festivals, am 12.05.2016 in Sarajevo, Bosnien. Ausführende: Tartini Quartett [http://www.tartiniquartet.com/slo/kurik_de.htm] Miran Kobl, 1.Violine Romeo Drucker, 2.Violine Aleksandar Milošev, Viola Miloš Mlejnik, Violoncello Photos: Almin Zrno | Tonmeister Liveaufnahme: Alem Babić Audio Optimierung: Etienne Decreuse [Decton Recording] For english description check your youtube language settings (English)! - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Als ich Herbst 2005 mit meinem Kompositionsstudium an der Musikuniversität Wien begann, habe ich mich sehr früh mit der Idee, ein Streichquartett zu schreiben, auseinandergesetzt. Ein paar Jahre zuvor, es war noch während meiner Schulzeit am Musikgymnasium Wien, schrieb ich bereits einmal ein kürzeres (Jugend-)Werk für diese Besetzung. Die ursprüngliche Idee war es, ein 3-sätziges Streichquartett zu schaffen, wo jeder Satz eine andere ästhetische musikalische Entwicklung der letzten 100 Jahre in dieser Gattung reflektieren und ich diese mit meiner – natürlich noch am Anfang seiner eigenen Entwicklung stehenden – eigenen Kompositionssprache zu verbinden. Besondere Inspirationen und Einflüsse waren damals ganz besonders die Streichquartette von Berg, Ravel, Schnittke und Lutoslawski. Jedoch sollte kein einziger dieser Sätze eine reine Stilübung sein, sondern auch eine für mich als damals 21-jährigen neue Reise in andere Klangwelten, die sich von meiner bisherigen Art zu komponieren, unterscheiden würden. Gerade in Anbetracht der vielen bahnbrechenden Werke, die sich für diese Königsdisziplin der Kammermusik über Generationen durchgesetzt haben, war dieses Unterfangen für mich alles andere als einfach. Im Rahmen meines Kompositionsunterrichts entstanden somit in meinem ersten Studienjahr der erste Satz, welcher am 3.Mai 2006 bei einem Kompositionsklassenabend uraufgeführt wurde, sowie ein halbes Jahr später der zweite Satz. Zwar begann ich auch mit der ausgiebigeren Skizzierung eines dritten Satzes, schloss diesen jedoch aus diversen Gründen nicht ab, da ich zu keinem für mich zufriedenstellenden kompositorischen Ergebnis kommen konnte. Seitdem ruhte dieses bis dato unvollendete Werk und ich widmete mich anderen Kompositionen, Projekten sowie meinem Dirigierstudium. Insofern war und ist es für mich nun eine sehr spannende Idee, auf Initiative des wunderbaren Tartini-Quartetts, mich nun über 10 Jahre später – ich bin ja inzwischen ein völlig anderer Komponist, Künstler und letztendlich natürlich anderer Mensch geworden – wieder mit diesem Frühwerk von mir intensiv zu beschäftigen und dem Stück nun doch im Zuge einer Überarbeitung einen Abschluss geben zu können. Zwar war ich doch in der Versuchung, vieles in den ersten beiden Sätzen meinen heutigen stilististischen Kompositionsweisen anzupassen, jedoch habe ich mich dann nur darauf beschränkt, ein paar Straffungen sowie formale Optimierungen vorzunehmen, ohne die eigentliche Essenz der ursprünglichen Kompositionen zu sehr von ihrer ursprünglichen und auf freitonaler Klangästhetik aufgebauten Form zu verändern. Auch der nun neu geschrieben 3.Satz soll sich nun in diese „jüngere“ Klangwelt einfügen, damit sich der Kreis dieses Werks letztendlich nach 10 Jahren endgültig schließen kann. Nach dieser Auseinandersetzung mit meiner kompositorischen Vergangenheit und „Jugend“ freue ich mich nun auf zukünftige, weitere Abenteuer in der Welt der Musik für Streichquartette.
Bernhard P. Eder - String Quartet No.1 (revised 2016) [Tartini Quartet]
music composed, orchestrated and conducted by Bernhard Philipp Eder (*1984) http://www.bpe-music.com https://www.facebook.com/bpe.composer.conductor/ performed by the "Triple-A-Consort" (Advanced Austrian Artists) special thanks to Victor Gangl, Markus Zierhofer & Marina Vesic extra special thanks to Katrin Targo Audio recording/editing/mix: Roland Schützenhofer DAYS OF AUTUMN AND WINE, originally a short neoromantic piano piece intended for a promotional video, now recomposed and orchestrated for small orchestra. A little exercise in orchestration so to speak ;-) Recorded on 10th January 2015 in Vienna, Austria listen to it on soundcloud: https://soundcloud.com/bernhard-eder-1/days-of-autumn-and-wine A big thank you to all musicians! - - - - - - - - - - - - - - - - - - - - Orchestra: Flutes: Carolin Ratzinger, Florian Holzer Oboes: Ivan Hristov, Petko Totev Clarinets: Emir Radišević, ChristiannaThalassinou Bassoons: Anna Beres, Szabolcs Szőke Horns: Karl Bichler, Ben Grobman Harp: Claudia Mantovani Violin I: Kirill Goncharov, Milan Nikolic, Maria Mesropian, Jenny Lippl, Dimitris Mousouras, Alexej Barer Violin II: Nataliya Stepanska, Anton Semke, Alexander Leontyev, Olga Korekhova Viola: Alexander Znamensky, Annamaria Kowalsky, Dima Nedyalkova, Giorgio Antonio Miele Violincello: Michael Babytsch, Ana Spahn, Ievgen Piechnikov Contrabass: Damian Posse, Dominik Wagner
Bernhard P. Eder - ''Days of Autumn and Wine'' for orchestra (2015)
Bernhard Philipp Eder (*1984) https://www.facebook.com/bpe.composer.conductor/ http://www.bpe-music.com "Illusionen" ("Illusions") für 2 Flöten & 2 Schlagwerker/for 2 flutes & 2 percussionists (2012) performed by Quartett Conflusio Birgit Böhm, Flute 1 Maria Jauk, Flute 2 Joachim Murnig, Percussion 1 Florian Klinger, Percussion 2 live performance on 29.09.2013 at Ruprechtskirche Vienna, Austria live recording of the world premiere performance (conducted by the composer): https://soundcloud.com/bernhard-eder-1/bernhard-eder-illusionen
Bernhard P. Eder - ''Illusionen'' (''Illusions'') for 2 flutes & 2 percussionists (2012)
Ludwig van Beethoven - Egmont Ouvertüre, op.84 performed by the Klaaspärlimääng Sinfonietta Tallinn, conducted by Bernhard Philipp Eder [http://bpe-music.com] Official Facebook Page: https://www.facebook.com/bpe.composer.conductor/ Live performance in a church on Saaremaa Island, Estonia on July 31st, 2013. I participated in a conducting master class, led by Naoki Sugiyama. This was one of two concerts where I conducted in the public course concerts. Note: As the church we performed in had an extremely strong reverb, I chose a bit slower and more heavy weighted tempo for the ouverture, emphasizing the dramatic outcome of Egmont's story and his beheading in Goethe's story, which also means that the "triumphant" F-major finale in the end is not triumphant at all in this interpretation! In a different venue I'd take a more stringent tempo for sure ;-) But that's the beauty of making music, you can always find a different approach each time you perform a piece.
Ludwig van Beethoven - Egmont Ouvertüre [cond. Bernhard Eder]
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